Invincible Episode 7 Review

The latest game news from IGN - one of my fave channels ever - check it out This review contains spoilers for Invincible Season 1, Episode 7, titled "We Need to Talk," which is currently available to stream on Amazon Prime Video. [poilib element="accentDivider"] Amazon Prime’s Invincible has been uneven at times, but its strengths outweigh its weaknesses. This has been true for individual episodes, like the fifth (“That Actually Hurt”), whose storytelling and character work eclipse last week’s sixth entry (“You Look Kinda Dead”). In that vein, this week’s seventh chapter, “We Need To Talk,” feels like a definitive portrait of the series, as it approaches its season finale next week. It combines, within a single episode, elements and subplots that don’t really work, with a central story about its lead characters that lands so precisely, and so spectacularly, that the missteps almost cease to matter. Things finally reach a boiling point for the Grayson family, now that Debbie (Sandra Oh) knows that Nolan (J.K. Simmons) killed the Guardians of the Globe. Although, before the couple’s inevitable confrontation, the episode takes a few brief moments to set the stage through Debbie’s eyes. She sighs at her empty bed, and at the hole Nolan punched in the wall the previous night, before approaching him as he stands at their window. Their eyes meet in its foggy reflection. They’ve become disconnected, and these scenes from a rocky marriage precede Debbie giving Nolan one last chance to come clean, or to give her some kind of explanation that makes sense. [poilib element="poll" parameters="id=2a7e18a8-ea5f-451a-b37a-af0d4076cc47"] The Nolan-Debbie plot has been the show’s biggest departure from the comics. Instead of having all this information suddenly sprung on Debbie, her detective work makes her an active part of the plot, and it gives her the chance to reckon with her husband’s actions, and to work through her denial and disbelief. The other side of this coin is Nolan himself, who ends up in a complicated position. In the comics, his relationship with Debbie was revealed to be a ruse, but in the show, you can feel him wrestling between his violent Viltrumite duties and his genuine, loving human relationships. He’s constantly, painfully conflicted — like when he practices his confession to Mark (Steven Yeun) on a lonely mountaintop — and his facial animation this week makes him especially intimidating. He still stares silently, but he feels like he’s about to explode. And explode he does, on a number of occasions. After Donald (Chris Diamantopoulos) takes Debbie to the GDA for her protection (and to use her to track down Mark), Nolan returns home and sniffs out a handful of invisible SWAT agents. He dispenses with them in gloriously gruesome fashion, ramming a gun through one of their faces, and slamming another into the kitchen countertop so hard that he splits him in two. He even crushes Donald’s torso with his bare hands. The show’s ultra-violence works best when it’s purposeful, and here, it makes Nolan downright terrifying. All the while, the question of Mark’s allegiance to his father looms large at the GDA, as both Cecil (Walton Goggins) and Nolan try to find him first. After the events at Upstate University last week, William (Andrew Rannells) drops Mark and Amber (Zazie Beetz) back home. Mark makes a last-ditch attempt at winning Amber back by finally coming clean about his secret identity. Although, in a nice surprise — and another nice departure from the comics — Amber seems to have figured it out already. The chickens have finally come home to roost for both Mark and Nolan, whose super-powered dilemmas feel like reflections of one another. Their dishonesty, with the women in their lives, has gone on far too long, and their relationships may have been damaged beyond repair. [widget path="global/article/imagegallery" parameters="albumSlug=invincible-season-1-episode-7-we-need-to-talk-images&captions=true"] Not knowing where to turn, Mark seeks out his former teammate Atom Eve (Gillian Jacobs) at her rural hideaway, from where she’s been helping people in secret. Theirs is a much more low-key story, which largely involves sitting by a waterfall, but their conversation is charged with frustration and tension. Mark feels trapped by his failures, while Eve’s lingering feelings for Mark underscore her own outburst at him, once they begin mischaracterizing each other and things finally boil over. However, the episode falters somewhat during its more action-packed subplot about Robot (Zachary Quinto) and the Mauler Twins (Kevin Michael Richardson), who, it’s revealed, have been cloning Robot a new human body. This story is filled with heady sci-fi ideas about consciousness, which coalesce in a particularly haunting moment, when the “real” robot’s memories are copied from his mangled body into a child clone of Rex Splode (Jason Mantzoukas). We see things from both bodies’ points of view at once, through overlapping images, which raise questions of the authentic self. It feels like something out of The Prestige. Robot claims he’s thought long and hard about this dilemma, and the Maulers say they think about it often too. But during the preceding six episodes, this cloning subplot has only been presented in the form of breadcrumbs. It’s been more mystery box than character drama. As far as the audience is concerned, the characters have only briefly mentioned these existential questions, when they ought to have been central to a plot this lofty. Even the moving death scene of Robot’s “original” body feels slightly deflated in the process. Robot and the Maulers may finally have more screen-time this week, but their subplot still feels tacked on to the rest of the story, since their ruminations are swiftly replaced by an action sequence. [ignvideo url="https://www.ign.com/videos/2021/04/01/the-biggest-streaming-movie-and-tv-releases-of-april-2021"] Similarly, the episode doesn’t spend much time on the actual fallout of this plot. Sure, the real Rex is suitably upset by this violation of his autonomy, but when Robot shows up to Guardians HQ in human form, it’s smack-dab in the middle of other, bigger events surrounding Nolan. The idea of adults trapped in children’s bodies, and Robot being attracted to Monster Girl (Grey Griffin) in this form, is a particularly thorny one to navigate, but the episode seems to hand-wave it away by having Monster Girl be the one to end the discussion, claiming she needs time to “process” it. However, the episode doesn’t focus on any kind of processing on her part either. Each time the show cuts back to the Robot plot, it can’t help but feel like it’s robbing attention from Nolan’s story, which grows increasingly intense with each scene. Cecil fires an enormous, Earth-shaking laser at him from outer space, which Nolan then flies towards and wrecks from within. It’s a fantastic spectacle, as is Nolan and Mark’s battle with the GDA’s Lovecraftian kaiju, and Nolan’s subsequent stand-off with a teleporting Cecil (who, unfortunately, still has one of the show’s most drab and lifeless vocal performances). Many of the episode’s action beats feel evocative of Dragon Ball Z, especially when a resurrected Immortal (Ross Marquand) charges at Nolan in a fit of vengeful rage. With the world’s eyes and cameras on him, Nolan murders The Immortal yet again, punching a hole right through his chest before tearing him in half. The moment isn’t just physically wince-inducing, but it feels like an emotional knife-twist for Mark, who watches on in horror. [widget path="global/article/imagegallery" parameters="albumSlug=how-invincible-became-a-modern-superhero-icon&captions=true"] It wasn’t meant to be this way. Nolan had intended to explain himself to Mark on his own terms, but his actions came back to haunt him — in a very literal manner — before he had the chance. As the episode comes to a close, Mark and Nolan float above all the destruction and bloodshed below. For the first time this season, there’s no post-credit scene, and no music playing over the end titles. Only haunting silence. The stage is now set for both an action-packed finale, and a difficult conversation between father and son.

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