While Doomsday Clock has so far proven itself to be an engrossing read and a worthy follow-up to Watchmen, it hasn't been delivering *everything* readers have been wanting out of this story. For a conflict that hinges so heavily on the confrontation between Superman and Doctor Manhattan, we've seen surprisingly little of either character in the first six issues. But as the series passes the halfway mark, that's finally beginning to change. Doctor Manhattan finally becomes a central player in the narrative in issue #7, offering new and compelling insight into how this godlike being reshaped the course of an entire universe.
One of Doomsday Clock's strengths is the way in which this series so effortlessly replicates the look and tone of Watchmen despite not involving any of that book's creative team. Part of that boils down to the fact that Gary Frank and Dave Gibbons have such complementary art styles. They're both precise draftsmen who bring plenty of detail and nuance to every page. But it's also due to the way Frank and writer Geoff Johns emulate so many of Watchmen's storytelling devices. There's the ironic juxtaposition of narration and image, something that only works when writer and artist are working closely in sync.
from IGN Reviews https://ift.tt/2NG87DE
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