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Thursday 13 July 2017

Wish Upon Review

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The comparisons between Wish Upon and the Final Destination franchise are so obvious that it’s hard not to feel like they might just exist within the same cinematic universe. Both films follow a set of predictably cliche and naive characters who are killed as part of some supernatural blood price, being held over them by an unseen, but omnipresent and sinister otherworldly force. There are a few key differences between the two titles, however, and they are what inevitably make Wish Upon an even more frustrating experience than watching the Final Destination films.

Following his disappointing work on 2014’s first Conjuring spin-off, Annabelle, director John R. Leonetti returns to the big screen with Wish Upon. Based on a screenplay written by Barbara Marshall, the film centers around an ancient, supernatural Chinese wish box that grants its user seven wishes - of any kind and of any variety - but which require a blood price to be paid with each one of them. So while the box itself may feel like some kind of cosmic gift at first, it doesn’t take long to realize that it’s a device of much more malevolent origins.

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