Martin McDonagh is no stranger to suffering. Indeed, the writer and director has made a career out of writing characters who are each struggling in their own unique, bone-shaking ways. Seven Psychopaths followed a group of men, some murderous and some not, finding themselves unable to accept the difference between the world they wanted and the one they got, while In Bruges centered around a clumsy hitman dealing with a sudden wave of suicidal depression, following his unintended murder of an innocent altar boy. But with his latest film, Three Billboards Outside Ebbing, Missouri, McDonagh has decided to tackle loss in the most direct and painful way yet.
Set in the titular Missouri town, Three Billboards follows Mildred Hayes (Frances McDormand) when she discovers three old, blank billboards sitting on the side of a gravel backroad leading to her house. Entranced by them, Mildred decides to pay for her own message to be put up on the billboards, reminding the town that her daughter had been raped and murdered seven months prior, and that the Ebbing police department has made little-to-no actual breaks in the case.
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