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Wednesday 24 October 2018

Suspiria Review

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Dario Argento’s phantasmagoric nightmare classic Suspiria is a rite of passage for most horror fans. It’s not so much a movie as it is a vivid hallucination about a young American woman in a haunted German ballet school, where the laws of reality do not apply and terror fills the air like music. It’s a film that’s hypnotic to watch and nearly impossible to explain, and that’s a big part of its appeal.

So it’s intriguing that Luca Guadagnino’s remake of Suspiria is desperately eager to explain it. The new version has elements of the surreal but it takes place firmly within the recognizable reality of politically-charged Berlin in 1977, during the period when the Baader-Meinhof Group hijacked an airplane, an event which came to be known as “German Autumn.” Suspiria doesn’t show that event but reminds the audience about it constantly, with news reports and graffiti and dialogue that reminds us that a supernatural dance academy is only one of many local troubles.

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