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Wednesday 13 December 2017

Ferdinand Review

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The pitch for Ferdinand is simple. Like so many other classic kids movies and stories from throughout time, it all stems from the idea of a character born into a certain kind of world or family, but with the unique desire to do the complete opposite of what that world or family says they must. What happens if a rat doesn’t want to steal food, but wants to cook? Or, as in the case of Ferdinand, what if a bull doesn’t want to spend his life fighting matadors in a ring? What if, instead, he’d rather spend his days smelling flowers and rolling through hills?

That’s the basic idea at the heart of Ferdinand, the new film from Blue Sky Studios, which has made a name for itself by putting out a string of mostly okay animated titles over the years, from Rio, Epic, or Horton Hears a Who, all the way to disappointing sequels like Ice Age: Continental Drift, Rio 2, and more. So the potential for Ferdinand to be either an entirely tolerable or completely miserable viewing experience was there, especially with director Carlos Saldanha on at the helm, a Blue Sky veteran whose resume is just as varied in quality as the studio’s filmography.

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