Throughout most of Jordan Peele’s Get Out, all the way up to its final act, you keep waiting for the metaphorical pointed white hoods to come out -- for the movie’s awkward social racism to transition to violent, overt racism. But while there is something sinister behind the Armitage family’s accepting facade, the party they throw when daughter Rose (Allison Williams) brings home her black boyfriend Chris (Daniel Kaluuya) is not a secret white power rally.
That’s definitely what you’re meant to think, whether from watching a trailer or simply paying attention to the movie’s bread crumb trail of clues. But that’s not the way it goes, and by the end you’ll realize that Get Out excels at inverting your expectations. Like Chris, you’re being manipulated. And it works on so many levels.
from IGN Reviews http://ift.tt/2lHkn7y
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