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Thursday, 23 March 2017

Wilson Review

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Wilson is something of a curiosity the kind of which we don’t see as much of these days. Woody Harrelson plays the titular character, a lonely, neurotic and sometime uncomfortably honest middle-aged divorcee who some would describe as a misanthrope, but others might describe as an a-hole. He’s an awkward character that grates as much as he delights. Wilson reunites with his estranged wife, Pippi, played by Laura Dern, and gets a shot at happiness when he learns he has a teenage daughter, played by Isabella Amara, he has never met and sets out to connect with her.

Watching this there’s something strangely familiar and oddly comforting about Wilson in its tone and presentation that takes you back to the early 2000s and the likes of Ghost World and Art School Confidential but there’s a good reason for that. Like those films, Wilson is based on the satirical graphic novel of the same name by American cartoonist Daniel Clowes. Sideways director Alexander Payne, with Clowes writing the screenplay, originally optioned the book.

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