With a narrative as complex as Saga’s, progression options are limited. It usually happens one of two ways - either the book focuses on pushing a particular storyline forward at the cost of others, or equal time is spread across the collective narrative, albeit at a slower pace. Issue #39 ends up going with the latter, Fiona Staples and Brian K. Vaughan allowing events of the past to settle as threats of the present inch ever closer.
This arc, as much as any other, has been Hazel’s story, and in that regard issue #39 does a solid job of further exploring the character’s state of mind. At first glance the relatively quick way in which the story moves past Isabel reads a bit heartless, but Vaughan has his reasons. It’s actually a great character move on his part, imbuing the adult characters with naïve optimism as the young Hazel moves right into cool acceptance. That maturity continues with Hazel’s conversation with Ferdie, where she and the young meerkat-boy share their views on love and the afterlife. With all the fantastical happenings of this series it’s easy to forget just how much of Hazel’s childhood has been stripped away. She’s worldly and wise beyond her years, shaped by events she has no control over. Given the increased attention this arc on the war between the people whose blood she shares, it’s easy to see that focus continuing as we move forward.
from IGN Reviews http://ift.tt/2eT6mhC
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